Lasar Segall

Lasar Segall (Vilna, Lithuania 1891 - São Paulo, SP 1957)

Lasar Segall was an important painter, engraver, sculptor, and draftsman of Jewish origin, born in Lithuania. His artistic career began in 1905 at the Antokolski Drawing Academy in Vilna and intensified after his move to Germany in 1906, where he studied at renowned institutions such as the School of Applied Arts and the Imperial Academy of Fine Arts in Berlin. Segall also spent time in Dresden, where he encountered Impressionist painting and held his first solo exhibition in 1910 at the Gurlitt Gallery. At the end of 1912, he made his first visit to Brazil, exhibiting in São Paulo and Campinas the following year, before returning to Europe.

Initially influenced by artists such as Jozef Israël and Paul Cézanne, Lasar Segall evolved toward an expressionist aesthetic from 1914 onward, consolidating his position in this style in 1917. In 1919, he participated in the founding of the expressionist group Dresdner Sezession Gruppe 1919 in Dresden, alongside artists such as Otto Dix and Conrad Felixmüller. During this period, he published important graphic albums such as Bübüe (1921) and Erinnerung an Wilna - 1917 (1922). In 1923, Segall returned to Brazil and settled in São Paulo, where he became a leading figure in modern art, representing the European avant-garde movements on the Brazilian art scene.

During the following years, Segall became intensely involved with the Brazilian modernist movement. In 1924, he participated in the Automobile Club's Futurist Ball and contributed to the decoration of Olívia Guedes Penteado's Modernist Pavilion. In 1932, he co-founded the Sociedade Pró-Arte Moderna (SPAM), of which he was director until 1935. His artistic production is marked by social and human themes, with works expressing suffering, displacement, and spirituality—strong characteristics of the expressionism he adopted. After his death in 1957, his residence in Vila Mariana was transformed into the Lasar Segall Museum in 1967, cementing his legacy in the history of Brazilian art.

Critical Commentary

Lasar Segall traveled to Germany in 1906, where he attended the Berlin Academy of Fine Arts, where trends linked to the Impressionist and Post-Impressionist movements predominated. In the painting "Fatherless," 1909, the free brushstrokes are reminiscent of Impressionism, but the work has a somber atmosphere, reinforced by the dark tones of the palette, and is notable for the social and psychological characterization of the characters. In 1910, Segall studied at the Dresden Academy of Fine Arts. He began to adopt lighter tones, although the tendency toward monochromaticism, characteristic of his entire output, remained, as, for example, in *Reading*, 1914. He revealed admiration for the work of Paul Cézanne, particularly for the constructive aspect of his brushstrokes, as can be seen in *Violinist*, 1912.

His first contact with Brazil occurred in 1913, when he exhibited in São Paulo and Campinas, returning to Dresden that same year. According to historian Claudia Valladão de Mattos, from 1914 onward, the artist revealed an interest in expressionism, seeking a new pictorial language and a more acute psychological characterization for his figures. Segall's painting, under the impact of the First World War (1914-1918), reflected his concern with social injustice and human suffering. His paintings are structured through planes constructed along diagonals and present a tendency toward geometrical representation, with a predominance of triangular forms. Segall uses dark, contrasting colors, as in the painting "Russian Village" (Aldeia Russa), 1912.

In 1918, he traveled to Vilnius, his hometown, an event that would leave its mark on his work, reinforcing his identification with certain Jewish issues that became important to his artistic experience. He returned to Dresden that same year. He replaced the brighter colors of his early expressionist period with more subdued tones, achieved through successive layers of paint, in paintings such as "Kaddisch - Prayer for the Dead" (1918) and "Eternal Walkers" (1919). His paintings emerged in an artistic environment marked by Cubism and the second phase of German Expressionism, more adherent to a realistic approach to the figure, which included artists such as George Grosz (1893-1959) and Otto Dix. However, compared to the vivid colors used by these artists, Segall's works have a melancholic or lyrical character and are rendered in sober tones, predominantly ochre, gray, black, and violet. The chromatic range alludes to sadness in works such as "Pobreza" (Poorness), 1921, in which the previously used angular, triangular forms give way to more rounded lines and figures with expressive deformation, with enormous heads and eyes.

In 1923, Lasar Segall moved to Brazil, where he encountered the young modernists. In his first works in the country, he revealed a fascination with light and tropical colors. He became sensitive not only to the landscape but also to the Brazilian artistic environment: his work maintains a dialogue with the works of Tarsila do Amaral (1886-1973) and other local artists. In the paintings created soon after his arrival in Brazil, Segall's palette transformed. The themes (black mothers, landscapes, favelas) are painted in open spaces, with light and bright colors. He produced several works that emphasize the plight of those marginalized by society. The paintings "Boy with Lizards" (1924) and "Red Hill" (1926) date from this period.

He resided in Paris between 1928 and 1932. During this time, he produced works with Brazilian motifs and also used recurring themes, such as emigration. The vibrant colors of his canvases gave way to a paler, softer light. The paintings "Family of the Painter" and "Maternity" (both 1931) feature a thicker surface, which parallels the sculptures the artist began to make. Segall began to structure the compositions through chromatic stains, and line was no longer as predominant in his works. His experience with sculpture influenced the tones and surface of the painting, with the figures acquiring more sculptural volumes and aspects. The colors became earthy, brown, gray, and ochre, as in the paintings "Mother Black" (Mother Black) (1930) and "House in the Forest" (House in the Forest) (1931).

From 1935 onward, he painted landscapes of Campos do Jordão, with very refined chromaticism. His work takes on the appearance of dense matter, with a very peculiar color. Themes linked to human dramas persist in large-scale paintings: "Emigrant Ship" (1939/1940) and "War" (1942), among others. In the 1950s, Segall's art reveals greater artistic freedom, approaching abstraction, for example, in "Twilight Forest" (1956). In this work, nature serves as inspiration for the vertical supports, in which a subtle study of light and color is established.

Throughout his career, he dedicated himself to various printmaking techniques. In his early works, he explored the use of shadows, accentuating chiaroscuro. Claudia Valladão believes there is a certain disconnect between Segall's graphic production and his paintings between 1914 and 1916. In his prints, the artist moved away from the Impressionist aesthetic in works such as "Heads" (1914), a departure from his painting, which was undergoing a transitional phase. In 1918, the artist produced five lithographs inspired by the short story "Die Sanfte" (A Sweet Creature) by Dostoevsky (1821-1881). They represent a high point in his work, due to the extreme concentration and simplification of the figures, conceived in geometric forms, the economical lines, and the interplay the artist establishes between forms and voids. In the series "Mangue" (1926-1929), produced in Brazil, he addresses the theme of prostitution; a tense atmosphere prevails, established by the presence of elements such as blinds and curtains, or by the oppressive environments in which the characters are situated. The Emigrants series, 1927/1928, has a more relaxed atmosphere, featuring open spaces with representations of the sky and sea.

Drawings are important in Segall's work and, as in printmaking, present recurring themes such as the underprivileged and marginalized by society. The artist gives his figures expressive deformations and situates them in oppressive spaces, creating an atmosphere of sadness and abandonment.

Humanism, revealed by his concern with violence, poverty, and social injustice, and a certain lyrical character, are present throughout his career. Segall addresses universal themes, expressing them emotionally through color in his paintings or the interplay between line and void in his graphic works.

Criticism

"The reservations of some regarding Segall's monochronism undoubtedly stem from a very particular conception of color. Nothing is more difficult to see, interpret, and use than color. In Segall's work, as we know, preferences are for earth tones, grays, pale greens, fine ochres, yellow-orange, dark reds, and lemon yellow. Yet, what complex operations are carried out in the painter's intimate laboratory before these tones reach their final state! What density these sober paints carry, what expressiveness in their apparent poverty! To speak of stripping down... I don't know: rather, I prefer to mention the valorization of these colors that assert their authentic strength in so many canvases. Rather, I prefer to emphasize the richness of these sober paints that, supporting the plastic construction, confer upon it exemplary nobility and dignity. Moreover, each painter corresponds to his own technical need and atmosphere. What matters most is the result. final. And the results of the Segallian are most convincing."
Murilo Mendes
MENDES, Murilo. Lasar Segall III. In: LASAR Segall: anthology of national texts on the work and the artist. Rio de Janeiro: Funarte. National Institute of Plastic Arts, 1982. p. 60. [Text originally published in "Letras e Artes" in A Manhã, Rio de Janeiro, May 27, 1951]

"(...) if this isolation was compulsorily practiced, it is also true that at a certain point there was pressure from the outside in, from the environment that classified him in an exclusionary manner as 'foreigner,' 'Jewish,' and later as 'figurative,' in a period (that of the biennials) in which abstract art dominated. Two moments in his artistic activity seem important to us as signs of the breaking of this reserved armor. First, the SPAM demonstrations, to which he gave himself body and soul, with pure enthusiasm, creating vibrant work, as a real participant. Suffering persecution from the integralists, he emerged frustrated from this experience and withdrew again. (...) It is as a painter, expressing himself with a personal language incorruptible by external pressures—because drawn from the deepest recesses of his being—that Segall achieved total communion. with Brazil. (...) Despite the semi-isolation in which he lived, Segall's vigorous art exerted a decisive influence in Brazil. First, with the modernists in the 1920s (...). Second, at SPAM, he played the role of the civilized European, the educator, modifying social behavior by demonstrating a new lifestyle."
Vera D'Horta
D'HORTA, Vera. Conclusion. In: ___. Lasar Segall and São Paulo Modernism. São Paulo: Brasiliense, 1984. p. 121-122.

"A highly sensitive painting, it is true, but already endowed with that mastery that converts the tumult of feeling into a work of expression, that is, a voluntary art. Therefore, in the most specific moments of his personal originality, in Dresden, the artist's work is already a work of condensation; not at all dispersive. An animistic condensation of figures purposefully and insensibly devalued in the bodies, but expanding all the dramatic significance in the enormous heads with even larger eyes, which surpass the limits of the faces in an anguished vibrancy. A drawing condensation that knew how to understand the lesson of black art and Cubism (...). And also a chromatic condensation that, expressed in intense tones further enervated by the bravery of the brush, already demonstrated an instinctive horror of radiant and happy colors. (...). Here comes Lasar Segall to Brazil. He had already been to our land once, around 1912 (...). The young expressionist's presence was too premature for that Brazilian art, then in full academic unanimity, would be fertilized by it. But in 1923 the painter arrived again in our homeland. Then he saw Brazil and Brazil saw him, in a first love to which the artist surrendered himself with all his passionate generosity (...)".
Mário de Andrade
ANDRADE, Mário. Lasar Segall. In: ___. Modernity: Brazilian art of the 20th century. Paris: Musée d'Art Moderne de la Ville de Paris, 1988. p. 20.

"The intense emotionality of Lasar Segall's early engravings is linked to the observational sense that then dominated his line; in the mid-1910s, the artist entered German Expressionism, reformulating emotion, producing it through stylized forms, in accordance with the emotive dominance of the movement he adhered to. The emotion in Segall's Expressionist engravings thus reveals his conception of the inner world, all passion in joy and pain. Participating in humanitarianism, Segall works with metal, wood, and stone, also enlisting himself among the dramatic artists of modernity in the albums published in 1921 and 1922 in Germany and in 1943 in Brazil."
Leon Kossovitch and Mayra Laudanna
KOSSOVITCH, Leon; LAUDANNA, Mayra. Modern Engraving. In: ENGRAVING: Brazilian art of the 20th century. São Paulo: Itaú Cultural: Cosac & Naify, 2000.

"Lasar Segall's formation as an artist, as well as his theoretical convictions, arose not from the context of the Arbeitsgemeinschaft, but from the activities of expressionist groups such as Der Neue Kreis, and from their moderate and conciliatory positions towards pre-war expressionism. Segall's work should, in our view, be understood within this tradition of 'continuity' with the utopias of the first generation, and not within the context of 'rupture' in which it has often been erroneously situated. (...) the term 'utopian socialism,' which is often used to describe the dominant pathos among artists of Segall's generation, does not adequately summarize the problematic within which his work is inserted. He possessed, like Kandinsky, a 'mystical' conception of art and the artist's task, and his main aim was to contribute to a spiritual revolution of humanity, to the reestablishment of a spiritual attitude towards the world through an innovation of Form. In this context, his concerns were above all everything of an aesthetic order. Following Kandinsky, Segall saw in Art, in the artist's ability to create new forms suited to expressing the strong mystical tendency of his time, the sure path for humanity's ascension toward the 'spiritual.' Thus, in his definition of 'Art,' it is forms that occupy a central position, not content. (...). Segall did not see an ideal society as the conditions for the birth of 'true art,' but rather conflict and suffering as the driving force of artistic creation, thus distancing himself from the redemptionist visions of most artists of his generation. Cláudia Valladão de Mattos
MATTOS, Cláudia Valladão de. Lasar Segall's position in the expressionist movement. In: MATTOS, Cláudia Valladão de. Lasar Segall: Expressionism and Judaism - The German Period 1906-1923. São Paulo: Perspectiva, 2000. p. 104-105.

"Segall was above all a painter; his graphic wisdom, however, was immense, as was, in fact, the entire artistic training conducted by the German academies. Hence the excellence of his lithography, his etching, his woodcut, and his complete mastery, simultaneously, of oil and water painting. (...) The four albums produced and the Mangue (...) are the greatest proofs of this graphic work, but outside of the series, or in series not coordinated in sequence for dissemination, the artist left, perhaps, more than in those singular aspects of expressionist engraving. The adequacy of the graphic artist, however, is on par with that of the visual artist.
While it is up to us to highlight the merits of the visual artist, the dedication of a few lines in homage to the illustrious graphic artist will certainly enrich the knowledge of those who approach this singular figure. We wish to recall here the little-known judgment of Kurt Schwitters, in a letter in which he expresses himself without reservation about a Segall's lithograph: 'I am enchanted by your lithograph. Since I had to leave on a trip, I could only see it for a few days; but during those days I contemplated it daily for many hours. This new acquisition, which I have hung in my studio, makes me as happy as a child...' How many artists can count on such praise from Kurt Schwitters, the prodigious Dadaist creator of the Merz?
Geraldo Ferraz (1975)
FERRAZ, Geraldo. Lasar Segall. In: ENGRAVING: Brazilian art of the 20th century. São Paulo: Itaú Cultural: Cosac & Naify, 2000. p. 42.

Solo Exhibitions

1910 - Dresden (Germany) - Lasar Segall, at the Galerie Gurlitt
1913 - Campinas SP - Lasar Segall: paintings, at the Center of Sciences, Letters and Arts of Campinas
1913 - Campinas SP - Lasar Segall: paintings, at the Carlos Gomes Museum
1913 - São Paulo SP - Lasar Segall: paintings, at Rua São Bento 85
1920 - Frankfurt (Germany) - Solo exhibition, at the Kunstsalon Ludwig Shames
1920 - Hagen (Germany) - Solo exhibition, at the Folkwang Museum
1922 - Dresden (Germany) - Solo exhibition, at the Erfurt Gallery
1923 - Frankfurt (Germany) - Solo exhibition, at the Fisher Gallery
1923 - Leipzig (Germany) - Solo show, at the Leipzig Museum Prints Cabinet
1924 - São Paulo, SP - Lasar Segall: retrospective 1908-1923, at Rua Álvares Penteado 24
1926 - Berlin (Germany) - Solo show, at Galerie Neumann-Nierendorf
1926 - Dresden (Germany) - Solo show, at Neue Kunst Fides
1926 - Stuttgart (Germany) - Solo show, at Kunst Kabinett
1927 - São Paulo, SP - Solo show, at Rua Barão de Itapetininga 50
1928 - Rio de Janeiro, RJ - Solo show, at the Palace Hotel
1931 - Paris (France) - Solo show, at Galeria Vignon
1933 - Rio de Janeiro, RJ - Lasar Segall: watercolors and etchings, at the Gallery Pró-Arte
1934 - Rome (Italy) - Personal Exhibition of Brazilian artist Lazzaro Segall, at the Bragaglia Gallery
1934 - Milan (Italy) - Personal Exhibition of Brazilian artist Lazzaro Segall, at the Il Milione Gallery
1938 - Paris (France) - Lasar Segall: paintings and gouaches, at the Renou et Colle Gallery
1940 - New York (United States) - Solo exhibition, at the Neumann-Williard Gallery
1943 - Rio de Janeiro RJ - Retrospective, at the MNBA
1948 - New York (United States) - Solo exhibition, at the Associated American Artists Galleries
1948 - Washington (United States) - Paintings by Lasar Segall, at the Pan American Union
1951 - São Paulo SP - Lasar Segall: retrospective 1908-1951, at Masp
1957 - Israel - Individual

Group Exhibitions

1914 - São Paulo SP, Brazil - Group Exhibition, Casa Mascarani
1916 - Dresden, Germany - Group Exhibition, Dresden Art Society (Künstlervereinigung Dresden)
1919 - Dresden, Germany - Dresden Secession Group, Emil Richter Gallery
1920 - Dresden, Germany - Jahresbericht der Städtischen Sammlungen zu Dresden
1921 - Hannover, Germany - Eine Ausstellung Russischer Kunst, von Garvens Gallery
1922 - Düsseldorf, Germany - International Art Exhibition, Exfurt Gallery
1923 - Berlin, Germany - Große Berliner Kunstausstellung: Section of the November Group
1926 - Dresden, Germany - International Art Exhibition
1929 - Dresden, Germany - Exhibition of the Saxon Art Association
1931 - Rio de Janeiro RJ, Brazil - Salão Revolucionário, Enba
1932 - Paris, France - 43rd Exposition Société des Artistes Indépendants, Grand Palais des Champs-Élysées
1933 - São Paulo SP, Brazil - 1st Modern Art Exhibition, SPAM
1935 - Pittsburgh, United States - The 1935 International Exhibition of Painting, Carnegie Institute
1935 - Rio de Janeiro RJ, Brazil - Exhibition of Social Art, Clube de Cultura Moderna
1936 - New York, United States - Dresden Secession Group of 1919, Radamsky Studio
1936 - Toledo and Cleveland, United States - The 1935 International Exhibition of Painting, Toledo Museum of Art
1937 - Munich, Germany - Entartete Kunst: Exhibition Guide
1937 - São Paulo SP, Brazil - 1st May Salon, Esplanada Hotel
1938 - São Paulo SP, Brazil - 2nd May Salon, Esplanada Hotel
1939 - São Paulo SP, Brazil - 3rd May Salon, Esplanada Hotel
1944 - Belo Horizonte MG, Brazil - Modern Art Exhibition, Edifício Mariana
1944 - London, England - Exhibition of Modern Brazilian Paintings, Royal Academy of Arts
1944 - Norwich, England - Exhibition of Modern Brazilian Paintings, Norwich Castle and Museum
1945 - Bath, England - Exhibition of Modern Brazilian Paintings, Victory Art Gallery
1945 - Bristol, England - Exhibition of Modern Brazilian Paintings, Bristol City Museum & Art Gallery
1945 - Edinburgh, Scotland - Exhibition of Modern Brazilian Paintings, National Gallery
1945 - Glasgow, Scotland - Exhibition of Modern Brazilian Paintings, Kelvingrove Art Gallery
1945 - Manchester, England - Exhibition of Modern Brazilian Paintings, Manchester Art Gallery
1945 - Rio de Janeiro RJ, Brazil - Art Condemned by the Third Reich, Askanazy Gallery
1946 - Rio de Janeiro RJ, Brazil - Portrait Exhibition of Mário de Andrade, Municipal Library
1946 - São Paulo SP, Brazil - Exhibition of Original Drawings by São Paulo Artists, Alceu Amoroso Lima Municipal Library
1949 - Panama - 32 Artists of the Americas, University of Panama
1949 - Bogotá, Colombia - 32 Artists of the Americas, National Museum of Colombia
1949 - Quito, Ecuador - 32 Artists of the Americas, Museo de Arte Colonial
1949 - Santiago, Chile - 32 Artists of the Americas, National Museum of Fine Arts
1949 - Havana, Cuba - 32 Artists of the Americas, Lyceum y Lawn Tennis Club
1949 - Guatemala City, Guatemala - 32 Artists of the Americas, National School of Plastic Arts
1949 - San Salvador, El Salvador - 32 Artists of the Americas, Ministry of Culture of El Salvador
1949 - Tegucigalpa, Honduras - 32 Artists of the Americas, National School of Fine Arts
1951 - Rio de Janeiro RJ, Brazil - Still Life Exhibition, Food and Social Security Service
1951 - São Paulo SP, Brazil - 1st São Paulo International Biennial, Trianon Pavilion – Special Room
1952 - Rio de Janeiro RJ, Brazil - Exhibition of Brazilian Artists, MAM/RJ
1952 - São Paulo SP, Brazil - Commemorative Exhibition of the 1922 Modern Art Week, MAM/SP
1954 - São Paulo SP, Brazil - Contemporary Art: Exhibition of the São Paulo Museum of Modern Art Collection, MAM/SP
1955 - São Paulo SP, Brazil - 3rd São Paulo International Biennial, Pavilhão das Nações – Special Room
1956 - São Paulo SP, Brazil - 50 Years of Brazilian Landscape, MAM/SP

Posthumous Exhibitions

1957 - Buenos Aires (Argentina) - Modern Art in Brazil, at MAMba
1957 - Lima (Peru) - Modern Art in Brazil, at Museo de Arte de Lima
1957 - Rosario (Argentina) - Modern Art in Brazil, at Museo Municipal de Bellas Artes Juan B. Castagnino
1957 - Santiago (Chile) - Modern Art in Brazil, at Museo de Arte Contemporáneo
1957 - São Paulo SP - 4th São Paulo International Biennial, at Pavilhão Ciccilo Matarazzo Sobrinho
1958 - Barcelona (Spain) - Lasar Segall: Retrospective, at Palacio de la Virreina
1958 - São Paulo SP - 7th Paulista Salon of Modern Art, at Galeria Prestes Maia
1958 - São Paulo SP - Lasar Segall: Retrospective of Drawings and Prints, at Galeria de Arte das Folhas
1958 - Venice (Italy) - 29th Venice Biennale – Special Room
1959 - Amsterdam (Netherlands) - First Collective Exhibition of Brazilian Artists in Europe
1959 - Barcelona (Spain) - First Collective Exhibition of Brazilian Artists in Europe
1959 - Basel (Switzerland) - First Collective Exhibition of Brazilian Artists in Europe
1959 - Brussels (Belgium) - Lasar Segall: Retrospective, at Palais des Beaux-Arts
1959 - Leverkusen (Germany) - First Collective Exhibition of Brazilian Artists in Europe
1959 - London (United Kingdom) - First Collective Exhibition of Brazilian Artists in Europe
1959 - Milan (Italy) - First Collective Exhibition of Brazilian Artists in Europe
1959 - Munich (Germany) - First Collective Exhibition of Brazilian Artists in Europe, at Kunsthaus
1959 - Paris (France) - Lasar Segall: Retrospective, at Centre Georges Pompidou, Musée National d'Art Moderne, Centre de Création Industrielle
1959 - Rio de Janeiro RJ - 30 Years of Brazilian Art, at Galeria Macunaíma
1959 - Rome (Italy) - First Collective Exhibition of Brazilian Artists in Europe
1959 - São Paulo SP - 5th São Paulo International Biennial, at MAM/SP – Special Room: Lasar Segall and the Décor
1959 - Vienna (Austria) - First Collective Exhibition of Brazilian Artists in Europe
1960 - Amsterdam (Netherlands) - Lasar Segall: Retrospective, at Stedelijk Museum Amsterdam
1960 - Copenhagen (Denmark) - Lasar Segall: Retrospective, at Louisiana Art Gallery
1960 - Düsseldorf (Germany) - Lasar Segall: Retrospective, at Kunsthalle Grabbeplatz
1960 - Hamburg (Germany) - First Collective Exhibition of Brazilian Artists in Europe
1960 - Lisbon (Portugal) - First Collective Exhibition of Brazilian Artists in Europe
1960 - Madrid (Spain) - First Collective Exhibition of Brazilian Artists in Europe
1960 - Nuremberg (Germany) - Solo Exhibition, at Frankishe Galerie
1960 - Nuremberg (Germany) - Lasar Segall: Retrospective, at Germanisches National Museum
1960 - Oslo (Norway) - Lasar Segall: Retrospective, at Kunstnemes Hus
1960 - Paris (France) - First Collective Exhibition of Brazilian Artists in Europe
1960 - São Paulo SP - Leirner Collection, at Galeria de Arte das Folhas
1960 - Utrecht (Netherlands) - First Collective Exhibition of Brazilian Artists in Europe
1961 - Berlin (Germany) - Lasar Segall: Retrospective, at Haus am Waldsee
1961 - Campinas SP - Lasar Segall: Prints, at Museu Carlos Gomes
1961 - Rio de Janeiro RJ - Segall: Graphic Works and Documentation, at MNBA
1961 - Warsaw (Poland) - Lasar Segall: Retrospective, at Centralne Biuro Wystaw Artystycynich
1962 - Casablanca (Morocco) - Exhibition of Brazilian Artists
1962 - Casablanca (Morocco) - Exhibition of Brazilian Artists
1962 - Haifa (Israel) - Lasar Segall: Retrospective, at Museum of Modern Art
1962 - Jerusalem (Israel) - Lasar Segall: Retrospective, at The Bezalel National Art Museum
1962 - Rabat (Morocco) - Exhibition of Brazilian Artists
1962 - São Paulo SP - Selection of Brazilian Artworks from the Ernesto Wolf Collection, at MAM/SP
1962 - Tangier (Morocco) - Exhibition of Brazilian Artists
1962 - Tel Aviv (Israel) - Lasar Segall: Retrospective, at Tel Aviv Museum – Helena Rubinstein Pavilion
1963 - Belo Horizonte MG - Segall: Drawings and Prints, at Museu de Arte da Pampulha
1963 - Rio de Janeiro RJ - 1st JB Art Summary, at Jornal do Brasil
1964 - Milan (Italy) - Il Contributto Russo alle Avanguardie Plastiche, at Galleria del Levante
1964 - Rio de Janeiro RJ - The Nude in Contemporary Art, at Galeria Ibeu Copacabana
1967 - Rio de Janeiro RJ - Lasar Segall: Retrospective, at MAM/RJ
1967 - São Paulo SP - Segall: Collector’s Works Exhibition, at Museu Lasar Segall
1968 - Curitiba PR - 25th Paraná Salon of Fine Arts, at Biblioteca Pública do Paraná
1969 - Penápolis SP - Graphic Works of Lasar Segall, at Fundação Educacional de Penápolis, Faculdade de Filosofia, Ciências e Letras de Penápolis
1970 - São Paulo SP - Brazilian Prints, at Paço das Artes
1970 - São Paulo SP - Exhibition in Tribute to Lasar Segall, at A Hebraica
1970 - São Paulo SP - Pinacoteca do Estado de São Paulo 1970, at Pinacoteca do Estado
1971 - Paris (France) - 4th International Exhibition of Contemporary Sculpture, at Musée Rodin
1971 - Rio de Janeiro RJ - Exhibition of Multiples, at Petite Galeria
1971 - São Paulo SP - One Hundred Paintings by Lasar Segall, at Masp
1972 - São Paulo SP - The Week of 1922: Antecedents and Consequences, at Masp
1973 - Brasília DF - Exhibition from the São Paulo Museum of Art, at the Ministry of Foreign Affairs, Palácio do Itamaraty
1974 - São Paulo SP - Brazilian Print Exhibition, at Fundação Bienal
1974 - São Paulo SP - The Time of the Modernists, at Masp
1975 - Belo Horizonte MG - Lasar Segall: Drawings, Watercolors, and Prints, at Universidade Federal de Minas Gerais, Faculdade de Letras
1975 - New York (United States) - Jewish Experience in the Art of the Twentieth Century, at The Jewish Museum
1975 - Rio de Janeiro RJ - Lasar Segall: Oils, Watercolors, and Prints, at Galeria Vernissage
1975 - São Paulo SP - Lasar Segall: Oils, Watercolors, and Prints, at Galeria Vernissage
1975 - São Paulo SP - Lasar Segall: Themes of War and Extermination, at Museu Lasar Segall
1975 - São Paulo SP - Modernism from 1917 to 1930, at Museu Lasar Segall
1975 - São Paulo SP - SPAM and CAM, at Museu Lasar Segall

1976 - São Paulo SP - Brazilian Art in the 20th Century: Paths and Trends, at Galeria de Arte Global
1976 - São Paulo SP - Lasar Segall: The European Period, at Museu Lasar Segall
1976 - São Paulo SP - Brazilian Art: Figures and Movements, at Galeria Arte Global
1976 - São Paulo SP - The Salons: Paulista Artistic Family, May Salon, and the Union of Plastic Artists of São Paulo, at Museu Lasar Segall
1977 - Belo Horizonte MG - Lasar Segall: Hope is Eternal, at Palácio das Artes
1977 - Brasília DF - Lasar Segall: Hope is Eternal, at Fundação Cultural
1977 - Curitiba PR - Lasar Segall: Hope is Eternal, at Teatro Guaíra
1977 - Goiânia GO - Lasar Segall: Hope is Eternal, at Casa Grande Galeria de Arte
1977 - Olinda PE - Lasar Segall: Hope is Eternal, at Igreja da Sé
1977 - Recife PE - Lasar Segall: Hope is Eternal, at Igreja de Nossa Senhora da Graça
1977 - Rio de Janeiro RJ - Lasar Segall: Hope is Eternal, at MAM/RJ
1977 - Salvador BA - Lasar Segall: Hope is Eternal, at MAM/BA
1977 - São Paulo SP - 14th São Paulo International Biennial, at Fundação Bienal – special room
1977 - São Paulo SP - German Expressionist Prints, at Museu Lasar Segall
1977 - São Paulo SP - Lasar Segall: Hope is Eternal, at Galeria de Arte Global
1977 - São Paulo SP - Lasar Segall: Retrospective, at Museu Lasar Segall
1978 - Porto (Portugal) - Lasar Segall: Watercolors, Drawings, and Prints, at Museu Nacional de Soares dos Reis
1978 - São Paulo SP - Commemorative Exhibition of 70 Years of Japanese Immigration in Brazil: 1908–1978, at MASP
1978 - São Paulo SP - Lasar Segall: 1st Retrospective of Drawings, at Museu Lasar Segall
1978 - São Paulo SP - Lasar Segall: Watercolors, Drawings, and Prints, at Museu Lasar Segall
1978 - São Paulo SP - Lasar Segall: Watercolors, Drawings, and Prints, at Museu Lasar Segall
1978 - São Paulo SP - Lasar Segall: Final Phase 1948–1957, at Museu Lasar Segall
1978 - São Paulo SP - The Circus, at Paço das Artes
1978 - São Paulo SP - Immigrants in the Visual Arts of São Paulo, at MASP
1979 - Paris (France) - Lasar Segall: Watercolors, Drawings, and Prints, at Galerie Debret
1979 - São Paulo SP - Art in Brazil: A Five-Century History, at MASP
1979 - São Paulo SP - Lasar Segall: Watercolors, Drawings, and Prints, at Galeria Sesc Carmo
1979 - São Paulo SP - Lasar Segall: Worker, at Museu Lasar Segall
1979 - Stuttgart (Germany) - Lasar Segall: Watercolors, Drawings, and Prints, at Institut für Auslandsbeziehungen
1980 - Rio de Janeiro RJ - Tribute to Mário Pedrosa, at Galeria Jean Boghici
1980 - Santiago (Chile) - 20 Brazilian Painters, at Academia de Bellas Artes
1980 - São Paulo SP - Brazilian Landscape: 1650–1976, at Paço das Artes
1980 - São Paulo SP - Lasar Segall and Nature, at Museu Lasar Segall
1980 - Uberlândia MG - Lasar Segall: Prints, at Universidade Federal de Uberlândia
1981 - Curitiba PR - 3rd Exhibition of Brazilian Drawing, at Teatro Guaíra
1981 - São Paulo SP - Lasar Segall: Sculptor, at Gabinete de Arte Raquel Arnaud
1982 - Lisbon (Portugal) - Brazil: 60 Years of Modern Art – Gilberto Chateaubriand Collection, at Centro de Arte Moderna José de Azeredo Perdigão
1982 - London (UK) - Brazil: 60 Years of Modern Art – Gilberto Chateaubriand Collection, at Barbican Art Gallery
1982 - Rio de Janeiro RJ - 5th National Salon of Visual Arts, at MAM/RJ
1982 - São Paulo SP - From Modernism to the Biennial, at MAM/SP
1982 - São Paulo SP - Segall Through Photography, at Museu Lasar Segall
1982 - São Paulo SP - Segall: Themes Through Techniques, at Museu Lasar Segall
1982 - São Paulo SP - Six Brazilian Expressionist Printmakers: Segall, Goeldi, Abramo, Renina, Poty, Grassmann, at Museu Lasar Segall
1982 - São Paulo SP - A Century of Sculpture in Brazil, at MASP
1983 - Rio de Janeiro RJ - Brazilian Self-Portraits, at Galeria de Arte Banerj
1983 - São Paulo SP - German Expressionist Graphic Arts, at MASP
1983 - São Paulo SP - Dresden Secession Group, at Goethe Institut
1983 - São Paulo SP - Lasar Segall’s War, at MASP
1984 - Curitiba PR - 6th Woodcut in Brazilian Art History, at Casa Romário Martins
1984 - Curitiba PR - 6th Curitiba City Print Exhibition, at Fundação Cultural
1984 - Fortaleza CE - 7th National Salon of Visual Arts
1984 - Rio de Janeiro RJ - Woodcut in Brazilian Art History, at Funarte. Galeria Sérgio Milliet
1984 - Rio de Janeiro RJ - Recent Donations 1982–1984, at MNBA
1984 - Rio de Janeiro RJ - 1931 Salon, at Funarte
1984 - São Paulo SP - Jewish Visual Artists, at MAB/Faap
1984 - São Paulo SP - Gilberto Chateaubriand Collection: Portrait and Self-Portrait of Brazilian Art, at MAM/SP
1984 - São Paulo SP - Segall and Judaism, at Museu Lasar Segall
1984 - São Paulo SP - Tradition and Rupture: Synthesis of Brazilian Art and Culture, at Fundação Bienal
1985 - Rio de Janeiro RJ - Collector’s Portrait in Their Collection, at Galeria de Arte Banerj
1985 - Rio de Janeiro RJ - Six Decades of Modern Art in the Roberto Marinho Collection, at Paço Imperial
1985 - São Paulo SP - 100 Works Itaú, at MASP
1985 - São Paulo SP - 18th São Paulo International Biennial – Expressionism in Brazil: Heritage and Affinities, at Fundação Bienal
1985 - São Paulo SP - Art and Science: Restoration of Six Segall Paintings, at Museu Lasar Segall
1985 - São Paulo SP - Seven Artists, at Gabinete de Arte Raquel Arnaud
1985 - São Paulo SP - SPAM: The History of a Dream, at Museu Lasar Segall
1986 - Belo Horizonte MG - War Times: Hotel Internacional
1986 - Belo Horizonte MG - War Times: Pensão Mauá
1986 - Porto Alegre RS - Paths of Brazilian Drawing, at Museu de Arte do Rio Grande do Sul Ado Malagoli
1986 - Rio de Janeiro RJ - War Times: Hotel Internacional, at Galeria de Arte Banerj
1986 - Rio de Janeiro RJ - War Times: Pensão Mauá, at Galeria de Arte Banerj
1986 - São Paulo SP - War Times: Hotel Internacional, at Fundação Bienal
1986 - São Paulo SP - War Times: Pensão Mauá, at Fundação Bienal
1987 - Paris (France) - Modernity: Brazilian Art of the 20th Century, at Musée d'Art de la Ville de Paris
1987 - Rio de Janeiro RJ - To the Collector: Tribute to Gilberto Chateaubriand, at MAM/RJ
1987 - São Paulo SP - Segall’s Prints, at Museu Lasar Segall
1987 - São Paulo SP - Lasar Segall Archive: Signs of a Life, at Museu Lasar Segall
1987 - São Paulo SP - Brazil Painted by National and Foreign Masters: 18th–20th Centuries, at MASP
1987 - São Paulo SP - The Craft of Art: Painting, at Sesc
1987 - São Paulo SP - Segall: From Drawing to Painting, at Museu Lasar Segall
1988 - Campinas SP - Lasar Segall: The 1913 Exhibition, at MACC
1988 - Campinas SP - Lasar Segall: The 1913 Exhibition, at Museu de Arte Contemporânea José Pancetti
1988 - Curitiba PR - Lasar Segall, at Clube Curitibano
1988 - New York (USA) - The Latin American Spirit: Art and Artists in the United States 1920–1970, at The Bronx Museum of the Arts
1988 - Rio de Janeiro RJ - Visions of Labor, at MNBA
1988 - São Paulo SP - Lasar Segall: The 1913 Exhibition, at Museu Lasar Segall
1988 - São Paulo SP - Printmaking: From Process to Expression, at Fundação Mokiti Okada M.O.A.
1988 - São Paulo SP - MAC 25 Years: Recent Acquisitions and Donations, at MAC/USP
1988 - São Paulo SP - Modernity: Brazilian Art of the 20th Century, at MAM/SP
1988 - São Paulo SP - Segall and the Black Figure, at Museu Lasar Segall
1989 - El Paso (USA) - The Latin American Spirit: Art and Artists in the United States 1920–1970, at El Paso Museum of Art
1989 - Lisbon (Portugal) - Six Decades of Brazilian Modern Art: Roberto Marinho Collection, at Centro de Arte Moderna José de Azeredo Perdigão
1989 - Rio de Janeiro RJ - Brazilian Printmaking: 4 Themes, at EAV/Parque Lage
1989 - San Diego (USA) - The Latin American Spirit: Art and Artists in the United States 1920–1970, at San Diego Museum of Art
1989 - San Juan (Puerto Rico) - The Latin American Spirit: Art and Artists in the United States 1920–1970, at Instituto de Cultura Puertorriqueña
1989 - São Paulo SP - 20th São Paulo International Biennial, at Fundação Bienal
1989 - São Paulo SP - Brazilian Painting 19th–20th Century: Works from the Banco Itaú Collection, at Itaugaleria
1990 - Berlin (Germany) - Lasar Segall: Retrospective 1891–1957, at Staatliche Kunsthalle
1990 - Miami (USA) - The Latin American Spirit: Art and Artists in the United States 1920–1970, at Center for the Fine Arts Miami Art Museum of Date
1990 - São Paulo SP - The São Paulo Municipal Art Collection, at MASP
1990 - São Paulo SP - Modernist Furniture: First Period, at Associação Pró Parque Modernista
1991 - Bogotá (Colombia) - Lasar Segall: Prints, at Galeria de Arte Santa Fé
1991 - Campinas SP - The Sculpture of Lasar Segall, at Museu de Arte Contemporânea José Pancetti
1991 - Porto Alegre RS - Lasar Segall: War Visions, at Instituto Cultural Judaico Marc Chagall
1991 - Porto Alegre RS - War Visions 1940–1943, at Museu de Arte do Rio Grande do Sul Ado Malagoli
1991 - Rio de Janeiro RJ - Lasar Segall Photobiography, at MAM/RJ
1991 - Rio de Janeiro RJ - Lasar Segall and Rio de Janeiro, at MAM/RJ
1991 - São Paulo SP - 21st São Paulo International Biennial, at Fundação Bienal – special room
1991 - São Paulo SP - The Sculpture of Lasar Segall, at Museu Lasar Segall
1991 - São Paulo SP - Lasar Segall Photobiography, at MASP
1991 - São Paulo SP - The Drawing of Lasar Segall, at Museu Lasar Segall
1991 - São Paulo SP - Journey into Lasar Segall’s Painting, at MASP
1991 - São Paulo SP - Imaginary Journey with Lasar Segall: Discovering Brazil, at Pinacoteca do Estado
1992 - Campinas SP - Award Winners at the Contemporary Art Salons of Campinas, at MACC
1992 - Curitiba PR - 10th Curitiba City Print Exhibition/America Exhibition, at Museu da Gravura
1992 - Paris (France) - Latin American Artists of the Twentieth Century, at Centre Georges Pompidou
1992 - Paris (France) - Latin American Artists of the Twentieth Century, at Centre Georges Pompidou
1992 - Poços de Caldas MG - Brazilian Modern Art: Collection of the Museu de Arte Contemporânea da Universidade de São Paulo, at Casa de Cultura de Poços
1992 - Rio de Janeiro RJ - Art Printmaking in Brazil: Proposal for a Mapping, at CCBB
1992 - Rio de Janeiro RJ - Nature: Four Centuries of Art in Brazil, at CCBB
1992 - São Paulo SP - The Seduction of Volumes: The Three-Dimensional Works of MAC, at MAC/USP
1992 - São Paulo SP - Sérgio’s Gaze on Brazilian Art: Drawings and Paintings, at Biblioteca Municipal Mário de Andrade
1992 - Seville (Spain) - Latin American Artists of the Twentieth Century, at Estación Plaza de Armas
1992 - Zurich (Switzerland) - Brazil: Discovery and Self-Discovery, at Kunsthaus Zürich
1993 - Cologne (Germany) - Latin American Artists of the Twentieth Century, at Kunsthalle Cologne
1993 - João Pessoa PB - Woodcut: From Cordel Literature to the Gallery, at Fundação Espaço Cultural da Paraíba
1993 - New York (USA) - Latin American Artists of the Twentieth Century, at MoMA
1993 - Poços de Caldas MG - Mário de Andrade Collection: Modernism in 50 Works on Paper, at Casa da Cultura
1993 - Ribeirão Preto SP - Retrospective of Lasar Segall Prints, at Museu de Arte de Ribeirão Preto Pedro Manuel-Gismondi
1993 - Rio de Janeiro RJ - Brazil: 100 Years of Modern Art, at MNBA
1993 - Rio de Janeiro RJ - Body Emblems: The Nude in Modern Brazilian Art, at CCBB
1993 - São Paulo SP - 100 Masterpieces from the Mário de Andrade Collection: Painting and Sculpture, at IEB/USP
1993 - São Paulo SP - Brazilian Art in the World: A Trajectory – 24 Brazilian Artists, at Dan Galeria
1993 - São Paulo SP - Celebration of Mário de Andrade’s Centennial: 1893–1993, at Pinacoteca do Estado
1993 - São Paulo SP - Mário and Segall: Awaiting Future Paradises, at Museu Lasar Segall
1993 - São Paulo SP - Modern Drawing in Brazil: Gilberto Chateaubriand Collection, at Galeria de Arte do Sesi
1993 - São Paulo SP - Modernism at the Museu de Arte Brasileira: Painting, at MAB/Faap
1993 - São Paulo SP - Time in Segall, at Museu Lasar Segall
1993 - São Paulo SP - Retrospective, at Museu Lasar Segall
1994 - Campinas SP - The Female Figure in Segall's Prints, at Itaú Cultural
1994 - Poços de Caldas MG - Unibanco Collection: exhibition celebrating Unibanco's 70th anniversary, at Casa de Cultura
1994 - Rio de Janeiro RJ - Modern Drawing in Brazil: Gilberto Chateaubriand Collection, at MAM/RJ
1994 - Rio de Janeiro RJ - Trenches: art and politics in Brazil, at MAM/RJ
1994 - São Paulo SP - The Modernist Adventure: Gilberto Chateaubriand Collection from MAM/RJ, at Sesi Art Gallery
1994 - São Paulo SP - Brazilian Modern Art: a selection from the Roberto Marinho Collection, at Masp
1994 - São Paulo SP - Brazil Century XX Biennial, at Fundação Bienal
1994 - São Paulo SP - Poetics of Resistance: aspects of Brazilian printmaking, at Sesi Art Gallery
1994 - São Paulo SP - Woodcut: from cordel to gallery, at Companhia do Metropolitano de São Paulo
1994 - São Paulo SP - Woodcut: from cordel to gallery, at Masp
1995 - Curitiba PR - 11th Curitiba Print Exhibition, at Fundação Cultural. Solar do Barão
1995 - Rio de Janeiro RJ - Unibanco Collection: exhibition celebrating Unibanco's 70th anniversary, at MAM/RJ
1995 - São Paulo SP - Lasar Segall: construction and poetics of a work, at Museu Lasar Segall
1996 - João Pessoa PB - Lasar Segall: migrants, at Núcleo de Arte Contemporânea da UFPB
1996 - Rio de Janeiro RJ - Lasar Segall: scenographer, at CCBB
1996 - São Paulo SP - Brazilian Art: 50 years of history in the MAC/USP collection, 1920-1970, at MAC/USP
1997 - Barra Mansa RJ - The Museum Visits the Gallery, at Centro Universitário de Barra Mansa
1997 - São Paulo SP - Mário de Andrade and the Modernist Group, at Centro Cultural e de Estudos Aúthos Paganos
1997 - São Paulo SP - Masters of Expressionism in Brazil, at Masp
1997 - São Paulo SP - The Revealing Touch: portraits and self-portraits, at MAC/USP
1998 - Brasília DF - Brazilian like Me, like Who?, at Ministry of Foreign Affairs
1998 - Rio de Janeiro RJ - Negotiated Images: portraits of the Brazilian elite, at CCBB
1998 - São Paulo SP - 24th São Paulo International Biennial, at Fundação Bienal
1998 - São Paulo SP - Highlights from the Unibanco Collection, at Instituto Moreira Salles
1998 - São Paulo SP - Brazilian Fantasy: the 4th Centenary Ballet, at Sesc Belenzinho
1998 - São Paulo SP - The Collectors - Guita and José Mindlin: matrices and prints, at Sesi Art Gallery
1998 - São Paulo SP - Modern and Contemporary in Brazilian Art: Gilberto Chateaubriand Collection - MAM/RJ, at Masp
1999 - Niterói RJ - Rio Print Exhibition. Banerj Collection, at Museu do Ingá
1999 - Porto Alegre RS - 2nd Mercosur Visual Arts Biennial, at Fundação Bienal de Artes Visuais do Mercosul
1999 - Porto Alegre RS - Picasso, Cubism and Latin America, at Margs
1999 - Rio de Janeiro RJ - Rio Print Exhibition. Brazilian Modern Print: National Museum of Fine Arts collection, at MNBA
1999 - São Paulo SP - The Female Figure in the MAB Collection, at MAB/Faap
1999 - São Paulo SP - Brazilian like Me, like Who?, at Museu de Arte Brasileira, Salão Cultural
2000 - Brasília DF - Brazil Europe Exhibition: 20th-century encounters, at Conjunto Cultural da Caixa
2000 - Campinas SP - Lasar Segall: maternities, at José Pancetti Museum of Contemporary Art
2000 - Caxias do Sul RS - Margs Collection Itinerant Exhibition
2000 - Curitiba PR - 12th Curitiba Print Exhibition. Marks of the Body, Folds of the Soul
2000 - Lisbon (Portugal) - Brasil-brasis: remarkable and astonishing things. Modernist Views, at Museu do Chiado
2000 - Lisbon (Portugal) - 20th Century: art from Brazil, at Centro de Arte Moderna José de Azeredo Perdigão
2000 - Passo Fundo RS - Margs Collection Itinerant Exhibition
2000 - Pelotas RS - Margs Collection Itinerant Exhibition
2000 - Ribeirão Preto SP - Lasar Segall: maternities, at Museu de Arte de Ribeirão Preto Pedro Manuel-Gismondi
2000 - Rio de Janeiro RJ - Expressionism Matrices in Brazil: Abramo, Goeldi and Segall, at Paço Imperial
2000 - Rio de Janeiro RJ - When Brazil was Modern: visual arts in Rio de Janeiro from 1905 to 1960, at Paço Imperial
2000 - Santa Maria RS - Margs Collection Itinerant Exhibition
2000 - São Paulo SP - The Female Figure in the MAB Collection, MAB/Faap
2000 - São Paulo SP - The Human Figure in the Itaú Collection, at Itaú Cultural
2000 - São Paulo SP - Brazil + 500 Rediscovery Exhibition. Modern Art and Black Body and Soul, at Fundação Bienal
2000 - São Paulo SP - Investigations: Brazilian Printmaking, at Itaú Cultural
2000 - São Paulo SP - Expressionism Matrices in Brazil: Abramo, Goeldi and Segall, at MAM/SP
2000 - São Paulo SP - The Role of Art, at Sesi Art Gallery
2000 - São Paulo SP - A Certain Point of View: Pietro Maria Bardi 100 years, at Pinacoteca do Estado
2000 - São Paulo SP - Bardi and Segall: Brazil and the museums, at Museu Lasar Segall
2000 - Valencia (Spain) - From Anthropophagy to Brasília: Brazil 1920-1950, at IVAM. Centre Julio Gonzáles
2001 - Brasília DF - Collections from Brazil, at CCBB
2001 - Brasília DF - Investigations. Brazilian Printmaking, at Itaú Cultural Gallery
2001 - New York (United States) - Brazil: Body and Soul, at Solomon R. Guggenheim Museum
2001 - Penápolis SP - Investigations. Brazilian Printmaking, at Itaú Cultural Gallery
2001 - Rio de Janeiro RJ - Brazilian Watercolor, at Centro Cultural Light
2001 - Rio de Janeiro RJ - Collections of Modernity: Hecilda and Sergio Fadel at Chácara do Céu, at Castro Maya Museums. Museu da Chácara do Céu
2001 - São Paulo SP - 30 Masters of Painting in Brazil, at Masp
2001 - São Paulo SP - Aldo Franco Collection, at Pinacoteca do Estado
2001 - São Paulo SP - Museu de Arte Brasileira: 40 years, at MAB/Faap
2001 - São Paulo SP - Segall and Warchavchik: reedition, at Galpão de Design
2001 - São Paulo SP - Trajectory of Light in Brazilian Art, at Itaú Cultural
2002 - Rio de Janeiro RJ - Brazilian Art in the Fadel Collection: from modern unrest to autonomy of language, at CCBB
2002 - Rio de Janeiro RJ - Identities: the Brazilian portrait in the Gilberto Chateaubriand Collection, at MAM/RJ
2002 - São Paulo SP - 22 and the Idea of Modern, at MAC/USP
2002 - São Paulo SP - Brazilian Art in the Fadel Collection: from modern unrest to autonomy of language, at CCBB
2002 - São Paulo SP - Art and the Unconscious: three perspectives on Juquery, at Instituto Moreira Salles
2002 - São Paulo SP - From Anthropophagy to Brasília: Brazil 1920-1950, at MAB/Faap
2002 - São Paulo SP - Wild Mirror: modern art in Brazil in the first half of the 20th century, Nemirovsky Collection, at MAM/SP
2002 - São Paulo SP - Image and Identity: a view on history in the Museu de Belas Artes Collection, at Instituto Cultural Banco Santos
2002 - São Paulo SP - Lasar Segall and Otto Dix: graphic dialogues, at Museu Lasar Segall
2002 - São Paulo SP - Lasar Segall: synthesis of a journey, at Museu Lasar Segall
2002 - São Paulo SP - In the Time of Modernists: D. Olivia Penteado, the lady of the arts, at Museu de Arte Brasileira
2002 - São Paulo SP - Modernism: from the 1922 Week to Sérgio Milliet’s art section, at CCSP
2002 - São Paulo SP - Otto Dix and Lasar Segall: images of war, at MAB/Faap
2003 - Brasília DF - Brazilian Art in the Fadel Collection: from modern unrest to autonomy of language, at CCBB
2003 - Ribeirão Preto SP - 1920s: Emerging Modernity, at Museu de Arte de Ribeirão Preto Pedro Manuel-Gismondi
2003 - Rio de Janeiro RJ - Brazilian Art: from the 1930 Revolution to the post-war, at MAM/RJ
2003 - Rio de Janeiro RJ - Art in Motion, at Espaço BNDES
2003 - Rio de Janeiro RJ - Autonomy of Drawing, at MAM/RJ
2003 - São Paulo SP - The Modernist Adventure of Berta Singerman: an Argentine voice in Brazil, at Museu Lasar Segall
2003 - São Paulo SP - Art and Society: a controversial relationship, at Itaú Cultural
2003 - São Paulo SP - Sculptors - Sculptures, at Pinakotheke
2003 - São Paulo SP - Lasar Segall, at A Hebraica
2003 - São Paulo SP - Oscar Klabin Segall: images of a son, at Museu Lasar Segall
2003 - São Paulo SP - Tomie Ohtake in the Spiritual Fabric of Brazilian Art, at Instituto Tomie Ohtake
2004 - Brasília DF - JK’s Modernist Gaze, at Ministry of Foreign Affairs, Palácio do Itamaraty
2004 - Curitiba PR - Tomie Ohtake in the Spiritual Fabric of Brazilian Art: exhibition celebrating the artist's 90th birthday, at Museu Oscar Niemeyer
2004 - Madrid (Spain) - Arco/2004, at Parque Ferial Juan Carlos I
2004 - Rio de Janeiro RJ - The Iconic Face of Brazilian Art, at MAM/RJ
2004 - Rio de Janeiro RJ - The Century of a Brazilian: Roberto Marinho Collection, Paço Imperial
2004 - Rio de Janeiro RJ - Tomie Ohtake in the Spiritual Fabric of Brazilian Art, at MNBA
2004 - São Paulo SP - Paper Cabinet, at Centro Cultural São Paulo
2004 - São Paulo SP - Masters of Modernism, at Estação Pinacoteca
2004 - São Paulo SP - New Acquisitions: 1995 - 2003, at MAB/Faap
2004 - São Paulo SP - The Wonderful Mandarin, at Museu Lasar Segall
2004 - São Paulo SP - The Price of Seduction: from corset to silicone, at Itaú Cultural
2005 - Curitiba PR - Odorico Tavares: my Bahian house - dreams and desires of a collector, at Museu Oscar Niemeyer
2005 - Fortaleza CE - Brazilian Art: in public and private collections in Ceará, at Espaço Cultural Unifor
2005 - Ribeirão Preto SP - The Portrait: Possibilities, at Museu de Arte de Ribeirão Preto Pedro Manuel-Gismondi
2005 - São Paulo SP - Faces of Mário, at IEB/SP
2005 - São Paulo SP - The Century of a Brazilian: Roberto Marinho Collection, at MAM/SP
2005 - São Paulo SP - Poetic Construction of a Work, at Museu Lasar Segall
2005 - São Paulo SP - 100 Years of Pinacoteca: the formation of a collection, at Sesi Art Gallery
2005 - São Paulo SP - 30 Years with Art, at Sesc Interlagos
2005 - São Paulo SP - Odorico Tavares: my Bahian house - dreams and desires of a collector, at Sesi Art Gallery
2006 - Belém PA - Traces and Transitions of Brazilian Contemporary Art, at Espaço Cultural Casa das Onze Janelas
2006 - Florianópolis SC - Traces from the Caixa Collection, at Museu de Arte de Santa Catarina
2006 - Rio de Janeiro RJ - Brazilian Modern Drawing 1917-1950, at Museu de Arte Moderna
2006 - Rio de Janeiro RJ - A Century of Brazilian Art - Gilberto Chateaubriand Collection, at Museu de Arte Moderna
2006 - São Paulo SP - 1st Art Salon, at A Hebraica
2006 - São Paulo SP - Segall’s Prints: Poetic Processes, at Museu Lasar Segall
2006 - São Paulo SP - Segall Watercolors, at Museu Lasar Segall
2008 - São Paulo SP - Realist Segall, at SESI Art Gallery
2006 - São Paulo SP - Brasiliana MASP: Modern and Contemporary, at Museu de Arte de São Paulo
2006 - São Paulo SP - JK’s Modernist Gaze, at MAB-FAAP
2006 - São Paulo SP - Brushstroke - Painting and Method: Projections of the 1950s, at Instituto Tomie Ohtake
2006 - São Paulo SP - A Century of Brazilian Art - Gilberto Chateaubriand Collection, at Pinacoteca do Estado
2007 - São Paulo SP - Art-Anthropology, at MAC/USP
2007 - São Paulo SP - Brazil, Modern Several Times, at Espaço Arte MorumbiShopping
2007 - Curitiba PR - A Century of Brazilian Art - Gilberto Chateaubriand Collection, at Museu Oscar Niemeyer
2007 - Ribeirão Preto SP - MARP 15 Years, at Marp
2007 - Salvador BA - A Century of Brazilian Art - Gilberto Chateaubriand Collection, at Museu de Arte Moderna da Bahia
2008 - Curitiba PR - Realist Segall, at Museu Oscar Niemeyer
2008 - Rio de Janeiro RJ - Realist Segall, at Instituto Moreira Salles
2008 - São Paulo SP - Brazilian Brazil, at Centro Cultural Banco do Brasil
2008 - São Paulo SP - Strategies to Enter and Exit Modernity in the Itaú Moderno Collection, at Museu de Arte de São Paulo
2009 - Nova Lima MG - The Magical World of Marc Chagall: Dream and Life, at Casa Fiat de Cultura
2009 - Porto Alegre RS - Calculating Expression, at Fundação Iberê Camargo
2009 - Rio de Janeiro RJ - Brazilian Brazil, at Centro Cultural Banco do Brasil
2009 - Rio de Janeiro RJ - The Magical World of Marc Chagall: Dream and Life, at Museu Nacional de Belas Artes
2009 - São Paulo SP - Art in France 1860-1960: Realism, at Museu de Arte de São Paulo
2009 - São Paulo SP - Memorial Revisited: 20 Years, at Galeria Marta Traba
2009 - São Paulo SP - Ever Modern, at Dan Galeria
2009 - São Paulo SP - Pagu Oswald Segall, at Museu Lasar Segall
2009 - São Paulo SP - Featured Works on Paper: 20th Century Masters, at Dan Galeria
2009 - São Paulo SP - Treasures from the Roberto Marinho Collection, at Espaço Cultural BM&F Bovespa
2009 - São Paulo SP - The Body in Segall’s Painting, at Museu Lasar Segall
2009 - São Paulo SP - Lasar Segall Retrospective, at Museu Lasar Segall
2010 - Rio de Janeiro RJ - Genealogies of the Contemporary, at Museu de Arte Moderna
2010 - São Paulo SP - 6th SP-Arte, at Fundação Bienal
2010 - São Paulo SP - Brazilianness and Modernism, at Dan Galeria
2010 - São Paulo SP - Calculating Expression, at Museu Lasar Segall
2010 - São Paulo SP - Domingos Giobbi Collection: Art, an Affective Relationship, at Estação Pinacoteca
2010 - São Paulo SP - Revealed Memories, at Museu de Arte Brasileira
2010 - São Paulo SP - Truth-Fraternity-Art, at Museu Lasar Segall
2011 - Belo Horizonte MG - 1911-2011: Brazilian Art and Beyond, at Itaú Collection, Fundação Clóvis Salgado. Palácio das Artes
2011 - Brussels (Belgium) - Extreme Printmaking, at Centre de la Gravure et de l'Image Imprimée La Louvière
2011 - Nova Lima MG - Tarsila and the Brazil of the Modernists, at Casa Fiat de Cultura
2011 - Ouro Preto MG - Lasar Segall: Images of Brazil, at Museu da Inconfidência
2011 - São Paulo SP - Art in Brazil: A History at the Pinacoteca de São Paulo, at Pinacoteca do Estado
2011 - São Paulo SP - 7th SP-Arte, at Fundação Bienal
2011 - São Paulo SP - Modernisms in Brazil, at Museu de Arte Contemporânea da Universidade de São Paulo
2011 - São Paulo SP - Brazilian Works on Paper: The Art of Printmaking - MASP Collection, at Museu de Arte de São Paulo
2012 - São Paulo SP - Visions of War, at Centro da Cultura Judaica
2012 - São Paulo SP - From the Art Section to the Acquisition Prize: The Genesis of the Drawing Cabinet, at Gabinete do Desenho
2012 - São Paulo SP - Brazilian Printmaking in the Pinacoteca de São Paulo Collection, at Pinacoteca do Estado
2013 - Campinas SP - 100 Years of Paulista Art in the Pinacoteca do Estado de São Paulo Collection, at CPFL Cultura Art Gallery
2013 - São Paulo SP - Segall Brazil 1913 - 2013: 50 Works from the Collection, at Museu Lasar Segall
2013 - São Paulo SP - Segall Brazil 1913 - 2013: 50 Photographs from the Collection, at Museu Lasar Segall