Collection

Our collection includes selected works of art by renowned artists. We have the ideal, unique and exclusive works to enhance your collection. Select some options below and request a quote today.

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Burle Marx

Purgatory
graphite on paper
1944
6 x 20 cm
signed lower right
Study for the panel "Purgatory", a work carried out as a finish on the altar of the Mayrink Chapel, in the Tijuca Forest, commissioned by Raymundo Ottoni de Castro Maya, Rio de Janeiro. Cataloged in the Portinari Project under the registration FCO 335 Cr 2048. Reproduced in the artist's Raisonné, Vol. II - à p. 454. Registration: on the back, authentication and inscriptions of Maria Portinari "DN 62" and "Nº 691". Participated in the exhibition: Candido Portinari. in the circle of light. At Asa do Sol, curated by Jacob Klintowitz from March 27 to May 13, 2023, Galeria Frente, São Paulo. p. 100 and 101.

Burle Marx

San Francisco Talking To The Birds
colored pencils on paper
1948
20 x 38 cm
signed lower left
Cataloged in Projeto Portinari under the FCO record: 219 Cr: 2376. Reprinted in Raisonné, vol. III, p. 104. Study for the tile panel "São Francisco Talking to the Birds" that lines the pulpit of the Church of São Francisco de Assis da Pampulha, Project by Oscar Niemeyer, Belo Horizonte, MG. Participated in the exhibitions: Portinari, MASP, São Paulo, 1954; International Exhibition of Sacred Art, Novara, 1959; Portinari, Galeria Praça Roosevelt, São Paulo, 1970; "The Sacred in Brazilian Art" Curated by Maria Inês Lopes Coutinho and Fabio Magalhães, Museum of Sacred Art of São Paulo, 2019, reproduced in the book of the show on pages. 78 and 79; Candido Portinari. in the circle of light. At Asa do Sol, curated by Jacob Klintowitz from March 27 to May 13, 2023, Galeria Frente, São Paulo. p.277.

Burle Marx

Workers
coal on kraft paper
1952
22,2 x 28,8 cm
without signature. Study for the "Cana" mural, of the series "Economics of Brazil", building of the former Ministry of Education and Health, today Palácio Gustavo Capanema, Rio de Janeiro. Cataloged in the Portinari Project under the registration FCO 4291 Cr 830. Reprinted in Raisonné, vol. I, p. 435. Certificate of Authenticity of Projeto Portinari nº 1084. Participated in the exhibitions: Portinari Ramos at the CCBB in Rio de Janeiro, from June 29 to September 12, 2022, curated by Marcello Dantas, reproduced in the exhibition catalog p. 68; Candido Portinari. in the circle of light. At Asa do Sol, curated by Jacob Klintowitz from March 27 to May 13, 2023, Galeria Frente, São Paulo. p. 153. He participated in the itinerant exhibition Portinari Raros, at the CCBB of Belo Horizonte, from June 14 to August 7, 2023 and at the CCBB in Brasília, from August 29 to November 5, 2023 both Curated by Marcello Dantas, reproduced in the catalog of the show page. 78.

Tomie Ohtake

Untitled
oil on canvas
s/d
213x50 cm
signed lower left

Tomie Ohtake

Untitled
mixed technique on paper
s/d
180x90 cm
signed lower right

Omar Rayo

Soldier
wax stick on paper
s/d
34 x 27 cm
signed lower right
He participated in the exhibition "Sob uma Céu Tropical", curated by Antonio Carlos Abdalla, James Lisboa Office of Art, 2009, reproduced in the book of the exhibition on p. 77.

Tuneu

Untitled
oil on rice paper
Déc. 60
49x23 cm
In the series Monotypia participated in the exhibition "O Espaço Infindável de Mira Schendel", in the Frente Gallery, 2015, reproduced in the exhibition book on page. 111.

Tuneu

Untitled
oil on rice paper
Déc. 60
49x23 cm
from the Monotype series

Flavio de Carvalho

Couple
pencil and sepia drawing on paper
30 x 22 cm
signed lower right
On the back of the drawing of "male figure"

Burle Marx

San Francisco Talking To The Birds
colored pencils on paper
1945
35 x 58 cm
signed lower left
Cataloged in Projeto Portinari under the FCO record: 219 Cr: 2376. Reprinted in Raisonné, vol. III, p. 104. Study for the tile panel "São Francisco Talking to the Birds" that lines the pulpit of the Church of São Francisco de Assis da Pampulha, Project by Oscar Niemeyer, Belo Horizonte, MG. Participated in the exhibitions: Portinari, MASP, São Paulo, 1954; International Exhibition of Sacred Art, Novara, 1959; Portinari, Galeria Praça Roosevelt, São Paulo, 1970; "The Sacred in Brazilian Art" Curated by Maria Inês Lopes Coutinho and Fabio Magalhães, Museum of Sacred Art of São Paulo, 2019, reproduced in the book of the show on pages. 78 and 79; Candido Portinari. in the circle of light. At Asa do Sol, curated by Jacob Klintowitz from March 27 to May 13, 2023, Galeria Frente, São Paulo. p.277.

Burle Marx

Caricature Of João Candido Portinari
fountain pen on paper
1945
27 x 20 cm
Cataloged in the Portinari Project under the registration FCO 3479 CR 2327. reproduced in the artist's Raisonné, Vol. III, on p. 88. Authenticity: Certificate of Authenticity of the Portinari Project nº 1031. Inscription: On the back, Oswaldo Portinari Authentication; notarized signature stamp. Participated in the exhibition: Candido Portinari. in the circle of light. At Asa do Sol, curated by Jacob Klintowitz from March 27 to May 13, 2023, Galeria Frente, São Paulo. p.231.

Flavio de Carvalho

Female Figure With Horse
india ink on paper
32 x 21 cm
Certificate of the Brecheret Institute. Former Paulo Figueredo Collection.

Tunga

Cutting Hair
oil on canvas
2007
70 x 50 cm
signed lower right

Oswaldo Goeldi

Women's Choir
oil on wood
39 x 44 cm
signed lower right

Burle Marx

Crouched Man
coal on kraft paper
1938
76 x 135 cm
A study for the mural painting "Cacau", from the series "Economics of Brazil", building of the former Ministry of Education and Health, today Palácio Gustavo Capanema, Rio de Janeiro. cataloged in the Project Registration FCO 3849 CR 848. Reproduced in Raisonné Vol. I - p. 447. On paper glued to the back of the frame, authentication of Olga Portinari Leão, the artist's sister. Participated in the exhibitions: At Ateliê de Portinari: 1920 - 1945, MAM-SP, 2011. Reprinted in the exhibition book, on p. 137; Candido Portinari. in the circle of light. At Asa do Sol, curated by Jacob Klintowitz from March 27 to May 13, 2023, Galeria Frente, São Paulo. p.157.